Brief encounter of Rock Hudson

Here is the remembrance of  Kate Dewhurst who encountered Rock Hudson circa 1965.

Kate and her friend Kipper were now broke in Kitzbuhel (see Downhill Racer). Rescue came when Rock Hudson and Gina Lollobrigida arrived in town to make a film and extras were needed. The scene was a nightclub and Kate and Kipper were placed at a table behind Rock and la Lollo. They were there for three days eating chocolate cake, which was something they badly needed. At the same time they sipped fake champagne and talked a lot to Rock. La Lollo apparently didn’t do talking, but Kate and Rock became firm friends.

Rock Hudson circa 1965

A week after filming, and having spent her wages on more champagne and skiing, Kate headed for Rome. She got a job as a nanny working for an American family headed by Professor Brilliant of the Academy in Rome (he liked to be known as such). He had a wife and three small repulsive children to look after. Kate was treated like the gentile she was, but she decided to hang on to the job as she badly needed the money.

After six weeks it was time to leave and in a fit of uncharacteristic generosity, Professor Brilliant of the Academy in Rome, asked her if she would like to accompany Mrs Brilliant, himself and the repulsive children to a well known Yiddish restaurants as a goodbye present.

Kate circa 1968

Anyway, there they were, supping their Riso con Brodo di Piselli, with Professor Brilliant of the Academy in Rome smugly enjoying the attention of all ( at least that’s what he thought), Mrs Brilliant whining at the repulsive children to finish their soup, and Kate sitting there meekly putting up with the Professor’s condescension.

All of a sudden the room hushed as waiters rushed to welcome some people at the door, and in came, yes you’ve got it, Rock Hudson with a couple of friends. He saw Kate, walked over to the table, said “Hello, Kate, how are you doing ?” and gave her a kiss.

She has always said that was one of her finest moments.


1961 Come September

Movie posters :

Trailer :



Cast and director :

Rock Hudson          Robert L. Talbot

Gina Lollobrigida      Lisa Helena Fellini

Sandra Dee           Sandy Stevens

Bobby Darin       Tony

Walter Slezak      Maurice Clavell

 

Director :  Robert Mulligan

Screenplay : Stanley Shapiro and Maurice Richlin

 

Story :

Wealthy industrialist Robert Talbot arrives early for his annual vacation at his luxurious Italian villa to find three problems lying in wait for him.

Firstly, his long-time girlfriend Lisa Fellini has given up waiting for him to pop the question and has decided to marry another man.

Secondly, the major domo of his villa, Maurice Clavell, has turned the estate into a posh hotel to make some easy money while the boss isn’t around.

And, finally, the current guests of the “hotel” are a group of young American girls trying to fend off a gang of oversexed boys, led by Tony, who are ‘laying siege’ at the outer walls of the villa. Talbot, to his own surprise, finds himself becoming an overprotective chaperone.   Source: IMDb

Pictures :

Pictures below are mainly from Leo Fuchs. http://www.leofuchs.com





1961, Italy — Rock Hudson and Gina Lollobrigida Riding Vespa — Image by © Sunset Boulevard/Corbis



Soundtrack and interview:

Listen to an interview of Bobby Darin on “Come September” at the link below

bobby-darin-on-come-september

Italian soundtrack record for “Come September”

Spanish movie soundtrack for “Come September”

Behind the scenes :

November 1960, Rome, Italy — Gina Lollobrigida had a hard time taking Rock Hudson seriously either in the story or behind the  cameras.  Here they rehearse a scene under the whimsically watchful eye of director Robert Mulligan, (C), and cameraman William Daniels, (R). — Image by © Bettmann/CORBIS



Walter Slezak, Gina Lollobrigida and Rock Hudson on set

Gina Lollobrigida with Rock Hudson circa 1960s Photo by Joe Shere

Rock Hudson and Bobby Darin having a break on the set of  “Come September”

Rock Hudson and Gina Lollobrigida dancing behind the scenes of  “Come September”

The picture below courtesy Leo Fuchs through The Rock Hudson Blog. Guess the following ones are from Leo Fuchs too ; )

Oh, my….   What a smile…



Miscealleanous :

Thanks to ImDb and to Stephanie Post from The Rock Hudson Blog

The first movie to be shown on transcontinental and intercontinental flights.  Walter Slezak hand-delivered the film to the plane for the inaugural in-flight-movie flight.

65675034173_Walter-Slezak_inaugural-flight_movie-reel_put-on-earphones

 

Bobby Darin and Sandra Dee met and fell in love while filming this movie and shortly afterward got married.

 

The movie was filmed mostly on location and due to weather conditions it took almost 12 months to shoot. It was filmed entirely in Italy. IMDB lists the filming locations as: Cinque Terre, La Spezia, Liguria, Italy… Ostia, Rome, Lazio, Italy…. and Portofino, Genoa, Liguria, Italy.

 

This was the first movie Rock Hudson produced with his 7 Pictures Productions company. “Lover Come Back” was released later in 1961.


Raoul Walsh Enterprises has a production credit even though he had nothing to do with the film. Rock explained in a 1961 interview, “At the start of my career Walsh put me in a picture called ‘ Fighter Squadron’. Warners wanted no part of me, so Walsh put me under contact. As insurance, he put in a clause that I would do my first independent film with his company.”

Howard Hughes signed Gina Lollobrigida to a contract in 1949 but refused to cast her in any movies. Frustrated she returned to Italy and became successful in Europe on her own. Her contract prevented her from appearing in any films shot in America. She was able to make Come September since it was filmed in Italy and would become her most successful film.

Marilyn Monroe was rumored to be considered for Gina Lollobrigida’s role.

In a 2003 interview with Larry King, Gina Lollobrigida admitted to having some sort of a relationship with Rock.  When asked how she liked working with Rock she said, “It was fantastic. He was a good actor. He was funny. He had a rhythm for comedy. But besides that, we liked each other. And even after the film, after the scenes, we were together. And he courted me and… he insisted — I mean, he gave — he had the initiative. Normally, you know, I take the initiative, but that time… And of course, you know, how I liked him. Is easy to like him at that time. He was marvelous.” Larry King asks her if she was in love with him. “He was in love with me, and I was in love with him. You know, you can’t — you can’t stop when you like one person.

 

 

Brazilian folder on “Come September”

Entire movie :

Thanks to Darinworld for sharing !

Other movie posters :

French movie poster for “Come September”

Brazilian movie poster for “Come September”

Italian movie poster for “Come September”

French movie poster for “Come September”

Spanish movie poster for “Come September”

Italian movie poster for “Come September”

 

 

 

 

 

 


Rock Remembered by Mamie Van Doren

Mamie Van Doren was an up and coming starlet in the 1950’s. She was a curvaceous, blond bombshell who was hailed as Universal Studio’s answer to Marilyn Monroe. In 1953 she had the pleasure of being Rock Hudson’s date to the Golden Globes (pictured above).

Mamie now writes a blog where she sells autographs and other memorabilia, and recounts some her encounters with some pretty notable names from the past, Tony Curtis, Steve McQueen, Burt Reynolds, Tom Jones, Elvis…. Also included is her story of the night she spent on a studio arranged date with Rock Hudson at the Golden Globes. The steamy story is below and warning it gets really explicit (NSFW) and is probably more information than the average Rock Hudson fan really wants to know!

“Rock Hudson, circa 1953, who was so sweet and kind to me during my years at Universal.” -Mamie Van Doren

Rock Hudson: My First Studio Date
© Copyright Mamie Van Doren

First-date jitters. Who hasn’t been there? Add the following to all that sweaty, frightened wondering about saying and doing the right thing: imagine that you have just been given a big contract at one of the most respected movie studios in the world; that you have been given a new name; that everyone is comparing you to

the hottest sex symbol of the day, saying that you are the answer to him or her; and that you have a date with the studio’s biggest star.

That was my dilemma on the night of the 1953 Golden Globe Awards. I had signed a 7-year contract with Universal Studios; my name had been changed from Joan Lucille Olander to Mamie Van Doren; I was being told that I was the answer to Marilyn Monroe; and my escort for that memorable evening for a studio-arranged date was none other than the dashing Rock Hudson.

Oh, there were rumors about Rock even then. Some of the other actresses under contract had told me that on a date with Rock, I would be as safe as though I was in my mother’s arms. It was, in fact, a publicity stunt on the part of the studio to get Rock out on the town with the newest sexy starlet in their stable. Of course, everyone in Hollywood knew about the rumors that Rock was gay. That practically no one outside of Hollywood knew about it attested to the fact that these events occurred, dear reader, in that innocent, pre-Clinton and, yes, even pre-Nixon time when a celebrity’s peccadillos could still get a free ride.

(Well, almost free. Not too long after I came to Universal, Confidential Magazine—the ancestor of today’s tabloids—had latched on to the Rock Hudson story and was ready to publish it. Universal’s executives first looked at Rock’s substantial box office, then began to look around for a fall guy. They found Rory Calhoun. Universal coughed up to Confidential the story of how Rory had done some jail time for a minor offense. Confidential printed it, Rory’s career was history, and Rock was saved.)

I was still living at my parents’ house in the San Fernando Valley. I had all the comforts of home, and I was around the corner from the Universal lot. I was ready when the doorbell rang at eight, done up in a prom-queen gown that the studio’s Wardrobe Department had created for the occasion. It had a strapless, beaded bodice and layer after layer of crinolines under the skirt. Not my style—then or now—but I was young and wanted to make nice with my new bosses, so I wore it. It wasn’t quite awful, at least.

The Golden Globe Awards were held at the Crystal Room of the Beverly Hills Hotel—a smallish venue by today’s G.G. standards, but elegant and impressive enough for a young girl from Rowena, South Dakota.

Rock and I sat at a table with Joan Crawford and her date. Joan was pounding down the booze with a vengeance, eyeing me from time to time the way a barracuda eyes a crippled grouper. I was a young, newly-minted starlet. She was the old guard, holding desperately to the last remnants of what then was glamour. She snubbed me totally except to loudly proclaim that I must have diligently fucked my way to the threshold of stardom where I then stood.

Rock, experienced and confident in his own right, did his best to deflect the hurtful barbs she threw my way, but it was a devastating experience. My mother’s favorite actress had been Joan Crawford. She had named me for her. Embarrassed and wounded by her sharp, drunken tongue, I squirmed uncomfortably in my crinolines.

At one point in the evening, Marilyn went on stage in a gold lamé gown to accept the Golden Globe for Best Newcomer. There was chemistry between us across the room, and we watched each other distantly. We knew each other by sight from Blue Book Agency modeling jobs and parties around town. And from a time when we had met at 20th Century Fox.

Later we ran into each other in the Ladies Room. By that point, Marilyn was a little tipsy when she smiled at me in recognition.

“I told you you’d make it somewhere.” She was referring to an occasion when I had screen tested at 20th Century Fox while Marilyn watched the screen test from the shadows of the sound stage. She had said those words to me in the parking lot afterwards. When I didn’t get a contract there I had thought for a while that Marilyn was responsible for it. Finally, I realized that 20th had little use for two blonde, sexy actresses.

Our makeup repaired, we made ready to leave the Ladies Room. “Welcome aboard, Mamie Van Doren,” she said to our reflections in the mirror.

“Thanks, Norma Jean,” I said.

“Norma Jean isn’t here anymore. Joan won’t be after a while either. You’ll see. This is what we are now.”

She was right. Joanie Olander was gone. Mamie Van Doren would be my life from now on.

When the evening was over, Rock took me home to my parents’ little ranch house. We sat in the car talking for a while, then went inside for coffee. My parents were asleep, and we tiptoed into the kitchen. I put the coffee on and went to the cupboard to get cups and saucers. When I reached up, I felt Rock’s hands on my bare shoulders. He gently turned me and kissed me on the mouth. Surprise, surprise! It was a deep and searching kiss. He pressed his body against me and I could feel his erection. This was certainly not what I expected, but it was far from unwelcome!

We necked, panting heavily, and sank to the kitchen floor. I helped Rock unzip his fly, only to discover that it was no pebble he was hiding in there. Zowie! Rock was sporting a boulder! He rolled on top of me, but found himself engulfed in a cloud of crinoline. “Jesus,” he muttered, trying to push some of the petticoats aside.

Every time I moved my back against the cold linoleum, the beads popped off my dress and rolled across the floor. The sound of rolling beads was punctuated by the plunk-plop of the coffee percolator and our muffled voices giving directions.

“Wait…oh…”
“I … just let me…”
“No…not there…”

I tried to guide him inside me but couldn’t reach him through the forest of underskirts. We slid on Mother’s waxed linoleum, struggling for traction and handholds.
“Mamie…I’m…ah-umph, ah-umphin…”

“What did you say?”

Rock let out a long sigh and his weight collapsed on top of me. “I said, I’m coming,” he groaned softly.

We got up and repaired the damage as best we could. It’s hard to wipe anything off of crinolines.

We had coffee and made a date for lunch the next day on the set of the movie Rock was shooting called Gun Fury. As he was leaving, Rock gave me a sheepish look. “I hope I didn’t ruin your dress.”

“No, no. It’s the studio’s dress anyway. They’re probably used to this sort of thing.”

Before I left for the studio the next day, my mother let me have it about the night before.

“The throw rug was pushed into the corner and the coffee pot was on all night. It’s a wonder it didn’t burn up.”

“Sorry.”

“And what’s the studio going to say about your dress?”

I studied my orange juice intently.
“What about it?”

“The beads, Jo. It must not have a bead left on it. When I came out into the kitchen this morning to fix your father’s breakfast, I nearly fell and broke my neck on all those little beads rolling round on the floor.”

I took the dress back to the Wardrobe Department and hurried out before they could look at it. For all I know it’s still hanging there in some dusty corner, un-dry cleaned forty-plus years later, mute and crusty testimony to Rock Hudson’s at least occasional bisexuality.

Rock, if you’re somewhere out there in cyberspace…I still love you!

This is a picture of Mamie from 2008. Can you believe this woman is turning eighty freakin’ years old this February!!!

Picture 5 courtesy of Classic Film Scans


Rock Hudson and music

Rock Hudson loved music and had a huge collection of vinyls. He himself went to sing in some of his movies and even recorded an album with Rod Mc Kuen.

One of his favorite songs was “Mocking Bird Hill” by Patti Page

Photograph Sid Avery. Rock Hudson at home, North Holmlywood, California 1952.

Rock Hudson with Piano 1962 Life Magazine 1960s

Rock Hudson in the Los Angeles house he leased in 1952. He was an avid record collector and was known to call up friends in the middle of the night to play a song.

Rock Hudson enjoys James Best’s guitar playing on “Seminole” set

Kirk Douglas and Rock Hudson during the shoot of  “The Last Sunset”. Rome, Leonia Celli.

Here is Rock Hudson singing :

“Rolly Polly” song from “Pillow Talk” with Mrs Doris Day and Tony Randall

Rock Hudson sings “Pillow Talk” in Decca Records 9-30966

Special DJ copy with photo and notes to DJ on back of  photograph. Printed in USA. Vinyl with pink promo labels “Roly Poly” b-side

Song from All that Heaven allows starring Rock Hudson and Mrs Jane Wyman :

Here’ s the album Rock Hudson recorded singing the songs of Rod Mc Kuen :

At the 1969 Birthday Concert at Carnegie Hall with Rock Hudson

Rock Hudson and Rod McKuen during Rock Hudson Sighting in New York City – January 1, 1979 in New York City



It also exists a sample album with one track sung by Rock Hudson :